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'Sunchild - The Gnomon' Reviews
A review by Hans Ravensbergen
If I ask you to mention three busy musicians in the progressive rock scene you probably will say: Steven Wilson, Roine Stolt and Arjen Lucassen.
Less known but just as talented as for mentioned icons is a young man from Ukraine, named Antony Kalugin. This young keyboard player (born on February 11th, 1981) is the main strength and founder of the bands Karfagen, Hoggwash and Sunchild. Besides these bands he composes and releases his own new-age sounding music under his own name (album “The Water”, 2008).
Most well known band is undoubtedly Karfagen
whereby he plays jazz and fusion like music. You can find some reviews
of Karfagen albums on the website www.progwereld.org. Less known is the
music Antony Kalugin plays with Sunchild.
Will Mackie is able to translate Kalugin’s mostly personal lyrics into good English, I language Kalugin can speak and understand but in which it is difficult for him to express himself (that is also the reason that all the reviews on the Dutch progressive rock website Progwereld are written in Dutch).
Besides playing keyboards and synthesizers Kalugin sings not without merit. Sometimes you can hear a bit of an accent, but that doesn’t disturb at all. Further more he is assisted by many young talented musicians and male and female singers from his own country.
“The Gnomon” is the debut album of Sunchild and it is a double one. The main lyrical concept is the memories of Kalugin about his youth and teenage years. In particular the hard choices you have to make when you are young, the innocent games you play without realising that these choices and games are defining your adultness, are woven into some (epic) tracks.
Celtic and Middle Age sounds starting the instrumental title track. This track flows seamless into the even instrumental track Astoria in which you can hear a unadulterated piece of Flower Kings like music, after which Camel is taken the lead with Andy Latimer-like guitar playing. Did I hear some Quidam? Heavy guitar riffs combined with nice flute playing makes me believe it is really this Polish band. These first ten minutes are characteristic for Antony Kalugin’s music. He puts classical and symphonic music in the blender together with nowadays progressive rockmusic. Scatter this with some traditional Ukraine folk music, simmer it for some time and finished is your musical diner! Welcome into the kitchen of three-star cook Kalugin. From this moment on your tastebuds don’t want anything else.
After some fifteen minutes in the track Sleepwalker you can hear Kalugin’s vocal chords vibrate for the first time. At this moment you wake up out of your little knap after a pleasant nice (musical) dinner. The Flower Kings doesn’t left the air fully, but the sound is more blended with the pleasant keys of Kalugin. A special brew of trumpet, trombone and sax is the topping on the cake of this 27 minutes clocking magnum opus of disc number one. Did I mention the other instruments oboe, bayan and clarinet? You come across with them all. The jazzy sounding and with nice keyboard playing containing track The Prayer Of The Broken Heart and the instrumental track Adrift closes disc one.
Disc two contains ‘almost’ four tracks with duration from five to
twenty minutes. The ballad Love Will Shine Like Gold is dedicated to
Kalugin’s sun Mark. It is a track with quite personal lyrics in which
you can hear Kalugin, who is not a first class singer, does a terrific
vocal performance. To me in this track he sounds like Göran Edman.
Lovers of music, interlarded with modern sounding keys and progressive rock that bridge the ‘classics’ with the ‘moderns’ are fully able to enjoy themselves a very nice meal with “The Gnomon” which is even digesting very well with it’s 96 minutes!
Waiter! Hans Ravensbergen
A review by Alejandro Exposito Dopico I love it! A review by By tlarz, (courtesy of Progplanet) Anthony
Kalugin, keyboard wiz of Karfagen fame and collaborator with Will
Mackie on the brilliant Hoggwash album: “The Last Horizon” (read the
review elsewhere on Progplanet!), has this time outdone himself, with
this double feature concept album called: “The Gnomon”...Subject being
the childhood days, growing up and the childhood innocence which we all
hold deep within´us!
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